Wicca

Wicca is a Neopagan religion and a religious movement found in various countries throughout the world. It was first popularised in 1954 by a British civil servant named Gerald Gardner after the British Witchcraft Act was repealed. He claimed that the religion, of which he was an initiate, was a modern survival of an old witchcraft religion, which had existed in secret for hundreds of years, originating in the pre-Christian Paganism of Europe. Wicca is thus sometimes referred to as the Old Religion. The veracity of Gardner’s claims cannot be independently proven, and it is thought that written Wiccan theology began to be compiled no earlier than the 1920s. Various related Wiccan traditions have since evolved or been adapted from the form established by Gardner, which came to be called Gardnerian Wicca. These other traditions of Wicca each have distinctive beliefs, rituals, and practices. Many traditions of Wicca remain secretive and require that members be initiated. There is also a movement of Eclectic or Solitary Wiccans who do not believe that any doctrine or traditional initiation is necessary in order to practice Wicca. The 2001 American Religious Identification Survey estimated that at least 134,000 adults identified themselves as Wiccans in the US.

Because there is no centralised organisation in Wicca, and no single “orthodoxy”, the beliefs and practices of Wiccans can vary substantially, both between individuals and between traditions. Typically, the main religious principles, ethics and ritual structures are shared, since they are key elements of traditional teachings and published works on the subject.

As practiced by initiates, Wicca is a variety of witchcraft founded on religious and magical concepts, and most of its adherents identify as witches. As such it is distinguished not only by its religious beliefs, but by its initiatory system, organisational structure, secrecy and practice of magic. Initiatory Wiccans tend not to proselytise, and even deny membership to some individuals, since once initiated a person is considered to be a priest or priestess, and expected to develop the skills and responsibility that that entails.

Initiatory Wicca is only one variety of witchcraft, with specific beliefs and practices. Wiccans worship a goddess and a god; they observe the festivals of the eight Sabbats of the year and the full-moon Esbats; and they attempt to live by a code of ethics. This distinguishes the religion from other forms of witchcraft which may or may not have specific religious, ethical or ritual elements, and which are practiced by people of many religions, as well as by some atheists. [verification needed]

Initiatory Wicca has distinctive ritual forms, involving the casting of spells, herbalism, divination and other forms of magic. Wiccan ethics promote free will while requiring that magical activities not harm oneself or others, as expressed in the Wiccan Rede; some also believe in the Threefold Law of Return (see Morality below).

Within the “Eclectic”, or non-initatory Wiccan movement, there is much more variation in religious beliefs, and secrecy and organisational structure play a less important role. Generally Eclectic Wiccans will adopt similar ritual structures and ethical principles. A few Eclectic Wiccans neither consider themselves witches nor practice magic.

Many Wiccans, though not all, call themselves Pagans, though the umbrella term Paganism encompasses many faiths that have nothing to do with Wicca or witchcraft.

Wicca as a religion is primarily concerned with the priestess or priest’s relationship to the Goddess and God. The Lady and Lord (as they are often called) are seen as primal cosmic beings, the source of limitless power, yet they are also familiar figures who comfort and nurture their children, and often challenge or even reprimand them.

According to Gerald Gardner the gods of Wicca are ancient gods of the British Isles: a Horned God of hunting, death and magic who rules over an after-world paradise (Often referred to as The Summerland), and a goddess, the Great Mother (who is simultaneously the Eternal Virgin and the Primordial Enchantress), who gives regeneration and rebirth to souls of the dead and love to the living. Gardner explains that these are the tribal gods of the witches, just as the Egyptians had their tribal gods Isis and Osiris and the Jews had Elohim; he also states that a being higher than any of these tribal gods is recognised by the witches as Prime Mover, but remains unknowable, and is of little concern to them.

Gardner’s explanation aside, individual interpretations of the exact natures of the gods differ significantly, since priests and priestesses develop their own relationships with the gods through intense personal work and revelation. Many have a duotheistic conception of deity as a Goddess (of Moon, Earth and sea) and a God (of forest, hunting and the animal realm). This concept is often extended into a kind of polytheism by the belief that the gods and goddesses of all cultures are aspects of this pair (or of the Goddess alone). Others hold the various gods and goddesses to be separate and distinct. Janet Farrar and Gavin Bone have observed that Wicca is becoming more polytheistic as it matures, and embracing a more traditional pagan worldview. Many groups and individuals are drawn to particular deities from a variety of pantheons (often Celtic, Greek, or from elsewhere in Europe), whom they honour specifically. Some examples are Cernunnos and Brigit from Celtic mythology, Hecate, Lugh, and Diana.

Some Wiccans, particularly in feminist traditions, have a monotheistic belief in the Goddess as One. Still others do not believe in the gods as real personalities, yet attempt to have a relationship with them as personifications of universal principles or as Jungian archetypes. A unified supreme godhead (the “Prime Mover”) is also acknowledged by some groups, referred to by Scott Cunningham as “The One”; Patricia Crowther has called it Dryghten.

According to current Gardnerians, the exact names of the Goddess and God of traditional Wicca remain an initiatory secret , and they are not given in Gardner’s books about witchcraft. However, the collection of Toronto Papers of Gardner’s writings has been investigated by American scholars such as Aidan Kelly, leading to the suggestion that their names are Cernunnos and Aradia. These are the names used in the prototype Book of Shadows known as Ye Bok sic of Ye Arte Magical.[10]

For most Wiccans, the Lord and Lady are seen as complementary polarities: male and female, force and form, comprehending all in their union; the tension and interplay between them is the basis of all creation. The God and Goddess are sometimes symbolised as the Sun and Moon, and from her lunar associations the Goddess becomes a Triple Goddess with aspects of “Maiden”, “Mother” and “Crone” corresponding to the Moon’s waxing, full and waning phases.

Some Wiccans hold the Goddess to be pre-eminent, since she contains and conceives all (Gaea or Mother Earth is one of her more commonly revered aspects); the God, commonly described as the Horned God or the Divine Child, is the spark of life and inspiration within her, simultaneously her lover and her child. This is reflected in the traditional structure of the coven, which is led by a High Priestess and High Priest in partnership, with the High Priestess having the final word. In some traditions, notably Feminist branches of Dianic Wicca, the Goddess is seen as complete unto herself, and the God is not worshipped at all.

Since the Goddess is said to conceive and contain all life within her, all beings are held to be divine. This is a key understanding conveyed in the Charge of the Goddess, one of the most important texts of Wicca, and is very similar to the Hermetic understanding that “God” contains all things, and in truth is all things.[11] For some Wiccans, this idea also involves elements of animism, and plants, rivers, rocks (and, importantly, ritual tools) are seen as spiritual beings, facets of a single life.

A key belief in Wicca is that the gods are able to manifest in personal form, either through dreams, as physical manifestations, or through the bodies of Priestesses and Priests. The latter kind of manifestation is the purpose of the ritual of Drawing down the Moon (or Drawing down the Sun), whereby the Goddess is called to descend into the body of the Priestess (or the God into the Priest) to effect divine possession.

The classical elements are a key feature of the Wiccan world-view. Every manifest force or form is seen to express one of the four archetypal elements – Earth, Air, Fire and Water – or several in combination. This scheme is fundamentally identical with that employed in other Western Esoteric and Hermetic traditions, such as Theosophy and the Golden Dawn, which in turn were influenced by the Hindu system of tattvas.

There is no consensus as to the exact nature of these elements. Some hold to the ancient Greek conception of the elements corresponding to matter (earth) and energy (fire), with the mediating elements (water, air) relating to the phases of matter (fire/earth mixtures). Other exponents of the system add a fifth or quintessential element, spirit (aether, akasha).

The five points of the frequently worn pentagram symbolise, among other things, the four elements with spirit presiding at the top.[12] The pentagram is the symbol most commonly associated with Wicca in modern times. It is often circumscribed – depicted within a circle – and is usually (though not exclusively) shown with a single point upward. The inverse pentagram, with two points up, is a symbol of the second degree initiation rite of traditional Wicca.[13] In geometry, the pentagram is an elegant expression of the golden ratio phi which is popularly connected with ideal beauty and was considered by the Pythagoreans to express truths about the hidden nature of existence.

Each of the four cardinal elements (air, fire, water and earth) is typically assigned a direction, a color, and an elemental race. The following list shows a common categorisation, but different traditions of Wicca may use different “correspondences”:

The history of Wicca is much debated. Gardner claimed that the religion was a survival of matriarchal Pagan religions of pre-historic Europe, taught to him by a woman known either as “Dafo” or “Old Dorothy”. Doreen Valiente identified these as a single person, Dorothy Clutterbuck,[22] however modern researchers such as Philip Heselton have theorised that Dafo and Clutterbuck were two separate individuals.[23] It has been posited by authors such as Aidan Kelly and Francis X. King that Gardner himself invented it, rewriting the rituals of an older witchcraft tradition according to his own whim,[24] and incorporating elements from the thesis of Dr. Margaret Murray, sources such as Aradia, or the Gospel of the Witches by Charles Godfrey Leland[25] and practices of ceremonial magic.[26] While Clutterbuck certainly existed, Ronald Hutton concluded that there was no evidence for her involvement in Gardner’s Craft activities.[27] Heselton, citing more recent evidence, concludes that she probably was involved, and that while Gardner may have been mistaken about the ancient origins of the religion, his statements about it were largely made in good faith. Gardner’s account is as follows: After retiring from adventuring around the globe, Gardner encountered Clutterbuck and her New Forest coven in the region, and was initiated into the coven in 1939, where he stayed for years until England’s witchcraft laws were repealed. At this point, and later claiming to fear that the Craft would die out,[28] he worked on his book Witchcraft Today, releasing it in 1954, followed by The Meaning of Witchcraft in 1960. It is from these books that much of modern Wicca is derived.

While the ritual format of Wicca is undeniably styled after late Victorian era occultism (even co-founder Doreen Valiente admits seeing influence from Aleister Crowley), the spiritual content is inspired by older Pagan faiths, with Buddhist and Hindu influences.

Due to historical suspicions, it is seems very likely that Gardner’s rites and precepts were taken from other occultists and was not in fact anything new to the world. There is very little in the Wiccan rites that cannot be shown to have come from earlier extant sources. The original material is not cohesive and mostly takes the form of substitutions or expansions within unoriginal material. Roger Dearnaley, in An Annotated Chronology and Bibliography of the Early Gardnerian Craft,[29] describes it as a patchwork.

Heselton, writing in Wiccan Roots and later in Gerald Gardner and the Cauldron of Inspiration[23], argues that Gardner was not the author of the Wiccan rituals but received them in good faith from an unknown source. (Doreen Valiente makes this claim regarding the “basic skeleton of the rituals,” as Margot Adler puts it in Drawing Down the Moon.) He notes that all the Crowley material that is found in the Wiccan rituals can be found in a single book, The Equinox vol 3 no. 1 or Blue Equinox. Gardner is not known to have owned or had access to a copy of this book, although it is certain that he met Crowley towards the end of the latters life. Gardner admited “the rituals he received from Old Dorothy’s coven were very fragmentary, and in order to make them workable, he had to supplement them with other material.”[30]

Some, such as Isaac Bonewits, have argued that Valiente and Heselton’s evidence points to an early 20th century revival predating Gardner, rather than an intact old Pagan religion. The argument points to historical claims of Gardner’s that agree with scholarship of a certain time period and contradict later scholarship. Bonewits writes, “Somewhere between 1920 and 1925 in England some folklorists appear to have gotten together with some Golden Dawn Rosicrucians and a few supposed Fam-Trads to produce the first modern covens in England; grabbing eclectically from any source they could find in order to try and reconstruct the shards of their Pagan past.” Crowley published the aforementioned Blue Equinox in 1919.

The idea of primitive matriarchal religions, deriving ultimately from studies by Johann Jakob Bachofen, was popular in Gardner’s day, both among academics (e.g., Erich Neumann, Margaret Murray) and amateurs such as Robert Graves. Later academics (e.g. Carl Jung and Marija Gimbutas) continued research in this area, and later still Joseph Campbell, Ashley Montagu and others became fans of Gimbutas’ theories of matriarchies in Old Europe. Matriarchal interpretations of the archaeological record and the criticism of such work continue to be matters of academic debate. Some academics carry on research in this area (such as the 2003 World Congress on Matriarchal Studies). Critics argue that such matriarchal societies never actually existed and are an invention of researchers such as Margaret Murray. This is disputed by documentaries such as “Blossoms of Fire” (about contemporary Zapotec society).

The idea of a supreme Mother Goddess was common in Victorian and Edwardian literature: the concept of a Horned God- especially related to the gods Pan or Faunus – was less common, but still significant.[31] Both of these ideas were widely accepted in academic literature and the popular press at the time.[32]